How do you think about music?
This category is for discussions regarding the myriad of ways music, noise, sound, and art, can be thought about.
Is there a particular way of thinking that has been helpful for you?
How have certain thinkers and ideas informed your practice?
Why do you use SuperCollider, and not something easier?
Bear in mind that forums like this work best when the ideas contained in your thinking are allowed to unfold over the course of a discussion - concise initial posts are preferable to a long / dense treatise, as the latter can be more difficult to engage with.