Thank you Shiihs,
to use Pmono without killing the synth all the time it’s a really nice way to solve it!
So changing the amp I could “cut” the phrases, and I also like the Pwhite, Pgeom in the freq, it sounds much more similar to an LFO compared to my solution.
In the end, I tried to make everything a little more metric, to see how it sounds, maybe a little too rigid for my goal, but it gives me more control. I have to keep fix it. I had also considered the possibility of using a solution where I use a sin function * Pwhite()
Event patterns and LFOs | SuperCollider 3.11.2 Help (basislager.org)
Aayway for now I’m here:
(
SynthDef(\imp, { arg out=0, pos =0;
var sig = Impulse.ar(0);
var pan = Pan2.ar(sig,pos);
OffsetOut.ar(out,FreeSelf.kr(pan));
}).add;
)
Synth(\imp);
(
var pause = Pseq([Rest(4)],1);
Pdef(\impulses,
Pbind(\instrument, \imp,
\dur, 1/Pwrand([
Pseq((16!16),1),
Pseq((12!12),1),
Pseq((9!9),1),
Pseq((8!8),1),
Pseq((6!6),1),
Pseq((4!4),1),
Pseq((3!3),1),
Pseq((2!2),1),
pause,
],[1,1,1,1,1,1,1,1,9].normalizeSum, inf),
\pos,Pstutter(8,Pxrand([-1,0,1],inf).trace(prefix:"POS: "))
)).play;
)