I like it. Every Cat Lamb piece I have played used electronics made in SC. Staying in Tuning Drone Land, Michael Harrison’s Harmonic Constellations (with Mari Kumura) is all done in SC.
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If you’re in Seattle tonight: DXARTS Fall Concert: Real & Imagined Soundworlds
All are made with the Ambisonic Toolkit, and all but the Jeff Rice works are made with SuperCollider.
@Sam_Pluta, great pieces and resources!
Do you use lilypond for the scores ? Do you use any integration with SC and the scoring enviroment ?
I do not. That stuff is all a combination of Sibelius and Omnigraffle. Though, there is no way I am going to pay that Sibelius rental fee, so I am trying to figure out where to go from here as far as notation software is concerned.
I sometimes make algorithmically generated notes in SC and write a midi file using SimpleMidiFile, then import those into Sibelius or whatever, but no direct export to lilypond.
Newton made this a couple of years ago:
Not sure the state of that project.
Sam
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We also made an whole album using SC and some custom software fo generating patterns from genetic data:
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Hello,
2 live set impro with Tidal and SC:
and another project involving a friend, tidal, SC and some hardware:
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Hello, @Nikolas_Hofmann
Yes, whole album Antigone/Child is written in SC. The code is here: luka/antigone-child - antigone-child - Gitea
First rule of learning SuperCollider:
Ok, that’s actually kinda five rules. (thanks @t36s )
I would suggest try @elifieldsteel videos. If you want to work through somewhat dense material (and stop often while watching), just start with his Tutorial: https://www.youtube.com/playlist?list=PLPYzvS8A_rTaNDweXe6PX4CXSGq4iEWYC
If it’s too dense, you can look at one of his live streams that he did for students - they seem to pace along in a much more digestible tempo: https://www.youtube.com/playlist?list=PLPYzvS8A_rTZmJZjUtMG6GJ2QkLUEaY4Q
The new Erstwhile record uses SuperCollider. The artist “/f” primarily uses SuperCollider for most of her music too, “recovered files” being probably my personal favorite of hers. Really great improvisational sound collage-y stuff: recovered files | /f
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The debut album from experimental metal band YAWN features a bunch of live processing and sound design done in SC:
It’s also probably worth mentioning that we also use SC in concerts to synchronize and play click tracks, backing tracks, our light show, and MIDI messages that control our digital amplifiers:
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experimental metal, who knew?
\m/
(…)
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This is great.
Horse Lords has also been known to use SC:
The whole video is great, but SC arrives around 15 minutes in.
Sam
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whoa this is great. i’m guessing this one was also made in SC. do you have any more info on the making of the harmonic constellations one?
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Hey, all my released records as Forces are made almost completely with SC. The newest one “Inertia” is pretty much 100% SC. In “Epoch” and “Climate Denial Machine” I have couple Tidal tracks among SC ones. “Plastisphere” and “Dynamics” are 100% SC. You can find the collected streams of my records at my Bandcamp.
Ps. I have an upcoming record made last Summer at EMS Stockholm, which I made with the digital synths of the so called “90s Wagon” synth rack + SC. It should be released on the Slovakian label Mappa soonish I think!
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Forces : This is really mind blowing !
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Thank you so much! <3
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