Great, thanks a lot !!
A good way of experimenting with the stuff is to use NodeProxyGui2, and hit the random or vary button.
(
~getNodeProxy = { |synthDefName, initArgs=#[], numChannels = 2|
var synthDef = try{ SynthDescLib.global[synthDefName].def } ?? {
Error("SynthDef '%' not found".format(synthDefName)).throw
};
var nodeProxy = NodeProxy.audio(s, numChannels);
nodeProxy.prime(synthDef).set(*initArgs);
};
~createNodeProxyGui = { |nodeProxy, excludeParams=#[], ignoreParams=#[]|
NodeProxyGui2(nodeProxy)
.excludeParams_(excludeParams)
.ignoreParams_(ignoreParams)
};
)
x = ~getNodeProxy.(\simplePulsarPM, [\sndBuf, ~sndBuf.bufnum, \modBuf, ~modBuf.bufnum]);
~createNodeProxyGui.(x, ignoreParams: [\sndBuf, \modBuf]);
Awesome, I was able to find all the functions and itās working! Thanks again!
1 Like
Next week weāre talking SC + hardware - how exciting! First, weāll hear from @MarcinP:
Marcin PÄ czkowski (pronounced āmarr-cheen pawnch-koav-skeeā) is a composer, conductor, digital artist, and performer, working with both traditional and electronic media. As a composer, he is focused on developing new ways of creating and performing computer music. His pieces involving real-time gestural control using accelerometers have been performed worldwide, including International Computer Music Conference in Daegu, Korea, Music of Today concert series in Seattle, Washington, Northwest Percussion Festival in Ashland, Oregon, Toronto International Electroacoustic Symposium in Toronto, Canada, and the Audio Art festival in KrakĆ³w, Poland.
As the Music Director of Evergreen Community Orchestra, he presents concerts of diverse repertoire to local communities. He is also involved in performing new music and has led premieres of numerous works in Poland and the United States. His conducting performances with Inverted Space ensemble include Anahit by Giacinto Scelsi, featuring Luke Fitzpatrick on violin, Flurries by Brian Ferneyhough, and Hermetic Definition by Joƫl-FranƧois Durand. He is also active in the Seattle-area improvised music community performing on various instruments.
He received grants and commissions from Seattle Symphony, eScience Institute, Adam Mickiewicz Institute, and from Polish Institute of Music and Dance. He received his Ph.D. in Digital Arts and Experimental Media (DXARTS) from the University of Washington in Seattle, Washington. He also holds Mastersā degrees from the Academy of Music in KrakĆ³w, Poland, and from the University of Washington.
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At the Notam SC meetup Iāll talk about my work with motion sensors and SuperCollider. Additionally Iāll show some SuperCollider quarks/extensions Iāve used in my projects.
Hereās a video recording of my piece that uses motions sensors with SC.
2 Likes
Also presenting next week: Diego Ortega!
Sound artist, creative coder, and rock musician with 15 years of experience in music performance and 10 years as a software engineer. I hold a degree in Digital Music Production Engineering from TecnolĆ³gico de Monterrey. My artistic work explores the intersection of mathematics, programming, and sound, notably using platforms like Mathematica and Supercollider to convert mathematical functions into sonic expressions. Through projects such as Wolfram Amadeus and writings like Music of Mathematica, I investigate how abstract computation can become a tool for musical creativity. My practice blends audio programming, web development, and experimental sound design into immersive, data-driven experiences.
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Based on my relationship with Blokas.io and my prior work with Wolfram Amadeus, I am developing a guitar pedal that uses the Raspberry Pi and Blokas Pisound. This hardware will be integrated with software served from the cloud to modify the guitarās sound. The purpose of this guitar pedal is to become a product that extends the musicianās capabilities. This product will evolve from a prototype to a platform whose hardware will be optimized for the specific use cases of a guitar pedal. The hardware iteration may be accompanied by different communication protocols aimed at increasing the speed and reliability between the guitar pedal and the cloud.
Meetup starting now - see you there!