Artificial intelligence (AI) is a new chapter in the ongoing development of technological tools that promise to transform the processes of creative work and artistic production. Now is the time to reconsider the relation of art and AI in practice, its aesthetic potential and to actively participate in and shape the transition and development of artistic and technological professions in the field of AI and music.
The symposium brings together experienced artists, practitioners, researchers and engineers who have been known for crossing over between composition, production, design and performance, engineering and development. The event addresses questions related to the agency of data, AI ethics, performance, and perception.
We hope to provide context from which to approach and make even more sense of the new an revolutionary tools bleeding edge research places at our fingertips.
As we want to promote a stimulating international exchange, the conference language will be English.
Keynotes
āDeconstructing data: the compositional process as critical inquiryā
Artemi Gioti (University College London, UK)
āCreative Dialectics: Playing with Intelligent Instrumentsā
Thor Magnusson (University of Sussex, UK)
Full Program: AI in Music - Agency, Performance, Production and Perception
The organizing committee,
Luc Dƶbereiner, Aleksandar Golovin, Joachim GoĆmann, Norman MĆ¼ller, Roland Sproll