Users in Germany?

Community
42

Hi, my studio is in Kreuzberg near Prinzenstrasse. Its not huge, can accomodate around 6-7 peeps.
Yeah but would be cool to get started somehow.
cheers
boris

43

Freiburg, noch interessanter: wer nutzt sc auf ner Linux-Machine? :smiley:

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44

I would be up for a Berlin meetup :slight_smile:

I can also offer some space for ~15-20 people.

45

Hi Berlin,
so far we are two people to meet on July 31. Any more peeps? Feel free to join the doodle
Around the 25th we can decide if it makes sense to meet or not.
cheers
boris

46

Brandenburg joins the chat

I’m a total SC beginner learning sinze september 2024.

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47

Hi,

it took me four weeks to get in, but finally Julian accepted my registration. I’m also from Germany (close to Karlsruhe) and make music since around 2018 on Linux (I think my last Windows PC I had in ~2013). I mostly use Renoise, sometimes Reaper and I made a few tracks with SunVox. I have Bitwig as well, but it somehow bores me (I think I have to restrict myself to get more creative).

Most of my music I have on Soundcloud and Bandcamp.

Actually this piece is made in Renoise and strongly influenced by my playing around with SuperCollider:

I first came into contact with SuperColider in 2015 at this concert:

I played with it a few years ago and decided now to really start learning it to make more algorithmic, generative music (newer Autechre style but also interested in clicks and cuts and more glitchy stuff, e.g. Ikeda, AtomTM, etc. ). In an ideal world I aim to do everything in SuperCollider, i.e. not exporting the material into a DAW, but I don’ t know how realistic this is. I don’t have an academic background in music (studied chemistry) so if you can recommend some introductory papers I’m also interested. I started reading the book from Nicholas Collins and will go through Eli’s videos (thanks for that!).

Cheers, Marco

48

Hi, and willkommen!

In an ideal world I aim to do everything in SuperCollider, i.e. not exporting the material into a DAW, but I don’ t know how realistic this is. I don’t have an academic background in music (studied chemistry) so if you can recommend some introductory papers I’m also interested. I started reading the book from Nicholas Collins and will go through Eli’s videos (thanks for that!).

SC becomes really interesting when you ditch your DAWs alltogether.

The tutorial by Bruno Ruviaro is what got me started a few years ago and
I recommend it to everyone wanting to learn SC.

Much Glück!
P

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49

I’m currently going through it and I’m on page 60 or so. Agreed: This first and then the tutorials from Eli and the webpage from Nick Collins is also nice.

I think when I start exporting / importing I’m back in my old DAW workflow (in which tracks never finish) which I want to avoid.

50

I think when I start exporting / importing I’m back in my old DAW workflow (in which tracks never finish) which I want to avoid.
The same challenge surely applies to many Pd/Supercollider projects as
well. BUT what you get from using these computer music programs is
the ability to compose and write music outside of a linear timeline. You
might or might not find this desirable.

best, P

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