About the Creative Process category
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0
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888
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July 18, 2018
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Estyk, a graphic ambient texture generator
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0
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118
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September 27, 2024
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Screenshots of SC in action
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35
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4609
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September 27, 2024
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How to learn sound design
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10
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4003
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September 14, 2024
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Sound art installation
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1
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236
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August 25, 2024
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Reverb design: sounding good with percussive and sustained sounds
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12
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282
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August 5, 2024
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On GraphDefs/SynthDefs and why pattern matching is a good idea
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0
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202
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July 22, 2024
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Realtime First Order Ambisonics with hardware controls
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0
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108
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July 29, 2024
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Here's a quick demo of my midipolyphonic synth using discrete summation synthesis, and some thoughts
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0
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140
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July 19, 2024
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Live mixed music and GPL
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2
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208
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May 27, 2024
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Joel Ryan: Music and Machines [Aesthetics]
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0
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238
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May 1, 2024
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Advanced Synthesis - Oscillator Sync
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63
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6145
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April 5, 2024
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Spatial audio question
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5
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330
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April 2, 2024
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Common Design Patterns in SuperCollider
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17
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4130
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April 1, 2024
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Interval Algebra and Event Scheduling?
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5
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344
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March 30, 2024
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Alternative Osc communication with multiple machine
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15
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1210
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March 14, 2024
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Pattern Hack a la MIDI delay line
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2
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278
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February 26, 2024
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Sound Design Feedback Thread, Dec. 2023
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66
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3050
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January 18, 2024
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Patterns & Timing/Improvisation strategies
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1
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419
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January 16, 2024
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Why use editors like (Neo)Vim/Emacs?
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36
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3684
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December 24, 2023
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Musical form, creative tools
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2
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453
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January 6, 2024
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Algorithmic drums mastery + ultra digital sound design
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1
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493
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December 25, 2023
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SuperCollider vs Time?
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4
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472
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December 13, 2023
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ScIDE is important
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17
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1481
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November 3, 2023
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Double Pendulum as LFO
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15
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736
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October 23, 2023
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Tap Tempo on the server
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0
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386
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June 19, 2023
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SuperCollider spatial performance tool: Live 4 Life
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2
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854
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May 6, 2023
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GitHub copilot explains SuperCollider to me
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0
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736
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March 29, 2023
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What to do when you're really losing it?
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11
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824
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March 8, 2023
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Short demo: Reusable GUIs and mobile sync
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6
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612
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February 13, 2023
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