About the Creative Process category
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0
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704
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July 18, 2018
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Tap Tempo on the server
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0
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101
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June 19, 2023
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SuperCollider spatial performance tool: Live 4 Life
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2
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459
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May 6, 2023
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Screenshots of SC in action
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32
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3199
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April 6, 2023
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GitHub copilot explains SuperCollider to me
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0
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320
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March 29, 2023
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What to do when you're really losing it?
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11
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523
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March 8, 2023
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Short demo: Reusable GUIs and mobile sync
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6
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327
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February 13, 2023
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Building custom interface instrument with Dictionary function
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3
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277
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February 11, 2023
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Alternative Osc communication with multiple machine
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8
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316
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February 10, 2023
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The Bebop Machine
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0
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191
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January 29, 2023
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Universal modulator
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1
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263
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January 1, 2023
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Sounds from the Scape
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0
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216
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December 9, 2022
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Intersections seminar in groningen, holland
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4
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215
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December 9, 2022
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Negatum-1f015742-p
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6
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424
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September 13, 2022
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Sound design tricks
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6
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902
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May 14, 2022
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Writings - Wet Ink Archive
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0
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422
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February 13, 2022
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Better parallel streams: a work in progress
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10
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609
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February 10, 2022
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Some questions for people using spatialization/ambisonics
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12
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600
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February 9, 2022
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Do you make visual 'scores' / music notation using SC?
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6
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861
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February 3, 2022
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Synthesis Challenge: musique concrète tricky sounds
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3
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720
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December 19, 2021
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Generating Pbinds for arbitrary synthdefs
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5
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831
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December 3, 2021
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Modular hardware for creative workflow in software programs
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2
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460
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October 19, 2021
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Algorithmic composition of musical style //INFO
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3
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713
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September 29, 2021
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Mads livecoding on Twitch
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5
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708
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August 21, 2021
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Live granulation/processing
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6
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1109
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June 14, 2021
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For those who like inspiring technical musicking talks
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1
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582
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June 8, 2021
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Drafting 'x' implementation
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0
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477
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May 6, 2021
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Apotome sequencer
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7
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1198
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February 26, 2021
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Using lambda SynthDefs in patterns
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2
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423
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January 13, 2021
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Strategy to control an additive synth
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1
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542
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December 21, 2020
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