About the Creative Process category
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0
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918
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July 18, 2018
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FM_pulsar by Rustamoff (modified version)
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2
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132
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December 15, 2024
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Interview with Sam Aaron (SuperCollider discussed)
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1
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124
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December 6, 2024
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Synth error
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4
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44
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November 26, 2024
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Re: Confusion between Frame-Sizes vs categorical DSP contexts
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8
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76
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November 27, 2024
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Any SuperCollider Projects Similar to mynoise.net or ambient-mixer.com?
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4
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104
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November 19, 2024
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Screenshots of SC in action
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36
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4826
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October 28, 2024
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Advanced Synthesis - Oscillator Sync
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79
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6584
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October 27, 2024
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Estyk, a graphic ambient texture generator
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0
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181
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September 27, 2024
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How to learn sound design
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10
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4814
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September 14, 2024
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Sound art installation
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1
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280
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August 25, 2024
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Reverb design: sounding good with percussive and sustained sounds
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12
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320
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August 5, 2024
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On GraphDefs/SynthDefs and why pattern matching is a good idea
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0
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226
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July 22, 2024
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Realtime First Order Ambisonics with hardware controls
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0
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126
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July 29, 2024
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Here's a quick demo of my midipolyphonic synth using discrete summation synthesis, and some thoughts
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0
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163
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July 19, 2024
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Live mixed music and GPL
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2
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261
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May 27, 2024
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Joel Ryan: Music and Machines [Aesthetics]
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0
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263
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May 1, 2024
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Spatial audio question
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5
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352
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April 2, 2024
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Common Design Patterns in SuperCollider
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17
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4285
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April 1, 2024
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Interval Algebra and Event Scheduling?
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5
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386
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March 30, 2024
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Alternative Osc communication with multiple machine
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15
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1290
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March 14, 2024
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Pattern Hack a la MIDI delay line
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2
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292
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February 26, 2024
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Sound Design Feedback Thread, Dec. 2023
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66
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3188
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January 18, 2024
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Patterns & Timing/Improvisation strategies
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1
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457
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January 16, 2024
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Why use editors like (Neo)Vim/Emacs?
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36
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3982
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December 24, 2023
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Musical form, creative tools
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2
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491
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January 6, 2024
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Algorithmic drums mastery + ultra digital sound design
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1
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513
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December 25, 2023
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SuperCollider vs Time?
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4
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492
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December 13, 2023
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ScIDE is important
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17
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1611
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November 3, 2023
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Double Pendulum as LFO
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15
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769
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October 23, 2023
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