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Sound Design Feedback Thread, Dec. 2023
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66
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3430
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January 18, 2024
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Patterns & Timing/Improvisation strategies
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1
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536
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January 16, 2024
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Why use editors like (Neo)Vim/Emacs?
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36
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4809
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December 24, 2023
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Musical form, creative tools
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2
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535
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January 6, 2024
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Algorithmic drums mastery + ultra digital sound design
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1
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570
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December 25, 2023
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SuperCollider vs Time?
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4
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547
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December 13, 2023
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ScIDE is important
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17
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1888
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November 3, 2023
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Double Pendulum as LFO
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15
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947
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October 23, 2023
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Tap Tempo on the server
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0
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400
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June 19, 2023
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SuperCollider spatial performance tool: Live 4 Life
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2
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914
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May 6, 2023
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GitHub copilot explains SuperCollider to me
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0
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836
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March 29, 2023
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What to do when you're really losing it?
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11
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853
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March 8, 2023
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Short demo: Reusable GUIs and mobile sync
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6
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710
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February 13, 2023
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Building custom interface instrument with Dictionary function
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3
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703
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February 11, 2023
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The Bebop Machine
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0
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617
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January 29, 2023
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Universal modulator
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1
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628
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January 1, 2023
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Sounds from the Scape
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0
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461
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December 9, 2022
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Intersections seminar in groningen, holland
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4
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459
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December 9, 2022
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Negatum-1f015742-p
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6
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648
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September 13, 2022
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Sound design tricks
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6
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1527
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May 14, 2022
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Writings - Wet Ink Archive
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0
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813
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February 13, 2022
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Better parallel streams: a work in progress
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10
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1022
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February 10, 2022
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Some questions for people using spatialization/ambisonics
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12
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1808
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February 9, 2022
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Synthesis Challenge: musique concrète tricky sounds
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3
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1155
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December 19, 2021
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Generating Pbinds for arbitrary synthdefs
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5
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1148
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December 3, 2021
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Modular hardware for creative workflow in software programs
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2
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738
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October 19, 2021
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Algorithmic composition of musical style //INFO
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3
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1273
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September 29, 2021
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Mads livecoding on Twitch
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5
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1030
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August 21, 2021
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Live granulation/processing
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6
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1551
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June 14, 2021
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For those who like inspiring technical musicking talks
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1
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856
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June 8, 2021
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