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Short demo: Reusable GUIs and mobile sync
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6
|
621
|
February 13, 2023
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|
Building custom interface instrument with Dictionary function
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3
|
638
|
February 11, 2023
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The Bebop Machine
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0
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543
|
January 29, 2023
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Universal modulator
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1
|
598
|
January 1, 2023
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Sounds from the Scape
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0
|
450
|
December 9, 2022
|
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Intersections seminar in groningen, holland
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4
|
450
|
December 9, 2022
|
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Negatum-1f015742-p
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6
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641
|
September 13, 2022
|
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Sound design tricks
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6
|
1455
|
May 14, 2022
|
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Writings - Wet Ink Archive
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0
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787
|
February 13, 2022
|
|
Better parallel streams: a work in progress
|
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10
|
931
|
February 10, 2022
|
|
Some questions for people using spatialization/ambisonics
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12
|
1390
|
February 9, 2022
|
|
Do you make visual 'scores' / music notation using SC?
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6
|
1446
|
February 3, 2022
|
|
Synthesis Challenge: musique concrète tricky sounds
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3
|
1117
|
December 19, 2021
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Generating Pbinds for arbitrary synthdefs
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5
|
1106
|
December 3, 2021
|
|
Modular hardware for creative workflow in software programs
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2
|
721
|
October 19, 2021
|
|
Algorithmic composition of musical style //INFO
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3
|
1209
|
September 29, 2021
|
|
Mads livecoding on Twitch
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5
|
1003
|
August 21, 2021
|
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Live granulation/processing
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6
|
1505
|
June 14, 2021
|
|
For those who like inspiring technical musicking talks
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1
|
841
|
June 8, 2021
|
|
Drafting 'x' implementation
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0
|
748
|
May 6, 2021
|
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Apotome sequencer
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7
|
1644
|
February 26, 2021
|
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Using lambda SynthDefs in patterns
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2
|
566
|
January 13, 2021
|
|
Strategy to control an additive synth
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|
1
|
804
|
December 21, 2020
|
|
"SuperCollider LiveCoding" by 박성민
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3
|
1200
|
August 1, 2020
|
|
Simple Wavetable Synthesis
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6
|
4784
|
June 26, 2020
|
|
Polygonal synthesis?
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|
7
|
2724
|
January 16, 2020
|
|
The Art of Algorithmic Composition
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|
1
|
1075
|
July 20, 2019
|
|
Bit-by-bit Circular Composition
|
|
1
|
1542
|
July 6, 2019
|
|
AI/algorithmic music/composition theory
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|
3
|
1344
|
May 31, 2019
|
|
Livecoding machine listening
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|
5
|
1520
|
March 25, 2019
|